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Sera Yu-Wen Chen: The Entangled Ground

Chinese original:

陳郁文個展「纏繞之地」

A solo show by Sera Yu-Wen Chen, centered on video works about how personal identity becomes entangled with larger histories when crossing borders and cultures. The works follow plants transplanted under colonialism and Western institutions of knowledge such as botanical gardens, museums, and archives. In the C7 Signal Corps exhibition space at C-LAB; free admission.

Image: Taiwan Contemporary Culture Lab (C-LAB)
Dates
Oct 20 – Oct 30, 2026
Area
Da'an
Address
臺北市大安區建國南路一段177號
Admission
FreeOriginal: 免費

Visit planning

The calendar entry covers the whole run of the exhibition. Please check opening hours and closing days before your visit.

Further reading

Video art錄像藝術Art made with video technology, shown as a single-channel work, an installation of screens and projections, or video sculpture.Read more

01About

Video art became a practice of its own in the mid-1960s, when portable consumer recording equipment let artists work outside television studios. Nam June Paik showed altered television sets in Wuppertal, Germany, in 1963, and many accounts date the start of video art to 1965, when he filmed Pope Paul VI's procession in New York with his new Sony Portapak and showed it the same day in a Greenwich Village café. Video art often sets aside the conventions of cinema and may have no actors, dialogue, or plot. Labels say which kind a work is: Wang Ya-hui's Still Life in Daylight (2005) is a video installation of 4 minutes 36 seconds, and her Notebook (2020) a single-channel video, in colour and silent, of 9 minutes 1 second.

02In the gallery

Check the running time on the label first; if the work loops, you can start partway and stay until it returns to what you first saw.

Wall label terms in Chinese

錄像藝術
Video art
單頻道錄像
Single-channel video
錄像裝置
Video installation
片長
Running time

03Notes

If these moving images tell no story, what are they asking you to look at?

04Related