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Opens in 146 days#History & heritage

Selected Masterpieces of Song and Yuan Dynasty Calligraphy

Chinese original:

宋元法書選萃

Dates
Apr 3 – Jun 27, 2027
Venue
National Palace Museum (國立故宮博物院) · National Palace Museum
Address
臺北市士林區至善路二段221號MRT Shilin Station Exit 1, then about 15 min by bus (Red 30 goes to Exhibition Area I, B1)Open in Google Maps
Hours
09:00–17:00Closed: Mon
Admission
Full price NT$350Original: 全票 350 元

Visit planning

The calendar entry starts on the opening day and covers the whole run. Please check opening hours and closing days before your visit.

Nearby, after this one

Same neighborhood · National Palace Museum

Shows open on the same days as this one are listed first (regular closing days only).

Knowledge cards

Song and Yuan calligraphy宋元書法:尚意與復古Song calligraphy prized personal expression, called shangyi; Yuan calligraphy looked back to the Jin and Tang, called fugu.Read more

01About

Song calligraphy was about expressing personal feeling and interest, which later writers called shangyi. Cai Xiang, Su Shi, Huang Tingjian and Mi Fu appeared one after another and came to be known together as the Four Masters of the Song; Su Shi said of his own writing that it was made by intent and had no fixed rule, the opposite of the Tang respect for strict method. In the early Yuan the general taste was for a return to the ancients, learning from the Jin and Tang with little innovation. Zhao Mengfu argued for blending the spirit of Jin writing into the strict Tang method, and Wang Xizhi influenced him most; he, Xianyu Shu and Deng Wenyuan were called the Three Masters of the early Yuan, and many calligraphers of the time followed him in favoring zhangcao.

02In the gallery

Look at whether the strokes are let loose or held tight, and whether the characters run into each other or each stands on its own; then compare with the date on the label.

Wall label terms in Chinese

尚意
Shangyi (valuing expression)
復古
Fugu (return to the ancients)
宋四家
Four Masters of the Song
章草
Zhangcao (clerical cursive)

03Notes

Song calligraphy prizes expression and Yuan calligraphy returns to the ancients: one values spirit, the other goes back to models.

This time, at Selected Masterpieces of Song and Yuan Dynasty Calligraphy —

Do the strokes feel written freely as the hand moved, or held to the upright form of old models?

04Related

Handscroll, hanging scroll, album卷、軸、冊頁Chinese painting and calligraphy are mounted in formats such as the handscroll, the hanging scroll, and the album, and each is looked at in its own way.Read more

01About

Chinese painting and calligraphy can be mounted in several formats, among them the handscroll, the album, and the hanging scroll. A handscroll is wider than it is tall and is usually viewed from the right end, so its composition unfolds from right to left; the traditional way was to unroll it with the left hand while rolling it up with the right, a section at a time, rather than laying it all out at once. A frontispiece sits on the right before the painting, and the section after it is left for inscriptions, the colophons. A hanging scroll hangs vertically on a wall and is seen whole; it is not meant to stay up for good, and traditionally it is shown for a while, then rolled up and stored, changed with the season or the occasion. An album gathers small paintings into a single volume. Of the seventeen paintings in the National Palace Museum's A Keen Eye, nine are handscrolls, six hanging scrolls, and two album leaves: the longest, Pu Ru's Evening Glow over a River Village, measures 1,192.5 cm wide and 49 cm high, and the tallest, Zhang Daqian's Wide River, Distant Mountains, is a hanging scroll 194.3 cm high.

02In the gallery

Check whether the label says handscroll, hanging scroll, or album: walk a handscroll from right to left a section at a time; with a hanging scroll, step back to see it whole, then come close for the details.

Wall label terms in Chinese

手卷
Handscroll
立軸
Hanging scroll
冊頁
Album leaf
引首
Frontispiece
題跋
Colophon

03Notes

Chinese painting comes as handscrolls, hanging scrolls, and albums, each with its own way of looking.

This time, at Selected Masterpieces of Song and Yuan Dynasty Calligraphy —

Does a painting ask you to stand still and take it in at once, or to move along as it unrolls?

04Related