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All-over dot painting

전면점화

The way of painting Kim Whanki developed in New York around 1970, filling the whole canvas with countless dots of color.

01About

He set down a dot, waited for the paint to spread on the canvas, then drew a square around it, repeating this until dots and squares covered the picture. The paint is thin, so every dot bleeds differently. Most dot paintings are blue, and most titles are the date of completion and a number, such as 12-V-70 #172. Where, in What Form, Shall We Meet Again (1970) is seen as the start of the dot-painting period; before his death in 1974 he also made dot paintings in mostly black.

02In the gallery

Look first at a single dot and its square, then step back and see where the whole field of dots is heading.

Wall label terms in Korean

전면점화
All-over dot painting
어디서 무엇이 되어 다시 만나랴
Where, in What Form, Shall We Meet Again

03Notes

Which way does the field of dots seem to flow?

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