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PUBLIC ART SPACE: Guiline Kim

Korean original:

PUBLIC ART SPACE: 김기린

The fourth show in the Daelim Foundation's public art project PUBLIC ART SPACE, held in the open space M1 at D Museum near Seoul Forest, presents works by Kim Guiline (1936–2021), a pioneer of Korean monochrome painting. He pursued flatness throughout his career; small dots layered dozens of times inside a grid make the surface and colour change in depth with the light. No reservation is needed and entry is free.

Dates
Jul 27 – Nov 9, 2026
Venue
D MUSEUM (디뮤지엄) · Seongdong
Address
서울특별시 성동구 왕십리로 83-21Open in Naver MapOpen in Google Maps

Visit planning

The calendar entry covers the whole run of the exhibition. Please check opening hours and closing days before your visit.

Nearby, after this one

Credits

Artists
金麒麟
Organized by
Daelim Cultural Foundation

Knowledge cards

Dansaekhwa단색화Abstract painting that emerged in Korea from the 1970s, marked by a single tone and repeated making.Read more

01About

These paintings depict no particular subject; what matters is how they are made. One action is repeated, and the traces it leaves become the work. Park Seo-bo's Écriture began with pencil lines drawn again and again into wet paint, and from the 1980s pushed ridges into damp hanji; Yun Hyong-keun let thinned paint seep slowly into linen and called it “Heaven and Earth.” The name Dansaekhwa was only proposed in 2000, as a way to group these works together.

02In the gallery

Look closely at the surface first, then step back and take in the whole field of color.

Wall label terms in Korean

묘법
Écriture
한지
Hanji

03Notes

Dansaekhwa depicts no objects; what it shows is the trace of a gesture made again and again.

This time, at PUBLIC ART SPACE: Guiline Kim —

Up close, what traces of repetition can you see?

04Related

Public art공공미술Art in the public realm: works placed in parks and other places open to everyone, whether the site is public or private property and whether public or private money paid for it.Read more

01About

Public art is usually, though not always, commissioned for the site where it stands. Monuments, memorials, civic statues and sculptures are its most established forms, but it can also be temporary: performances, graffiti, posters and installations. A work designed for one particular location and bound up with it is called site-specific; moved elsewhere, it loses all or much of its meaning. The term "public art" is generally said to have been first used by John Willett, in Britain, in Art in a City (1967). Unlike traditional public art centred on objects, later works treat a place as a space of social, cultural and political exchange, inviting local communities and viewers to take part, or lasting only for a time before being taken down. In Seoul, more than 200 sculptures from around the world were permanently installed in Olympic Park for the 1988 Olympics; the introduction to SOMA Museum of Art's exhibition From Monument to Landscape calls this an important turning point in the development of contemporary public art in Korea. The city has also placed public art in Seonyudo Park, a former water purification plant turned into an ecological park.

02In the gallery

Step back and see how the work sits with the buildings, paths and trees around it; then watch the people passing: does anyone stop, or do they walk by as if it were part of the scenery?

Wall label terms in Korean

공공미술
Public art
장소 특정적 미술
Site-specific art
기념비
Monument

03Notes

Public art is usually made for its site, so it is looked at together with its surroundings.

This time, at PUBLIC ART SPACE: Guiline Kim —

Standing here, how do you think the work relates to what is around it?

04Related