Ends tomorrow
PUBLIC ART SPACE: Guiline Kim
Korean original:
PUBLIC ART SPACE: 김기린
The fourth show in the Daelim Foundation's public art project PUBLIC ART SPACE, held in the open space M1 at D Museum near Seoul Forest, presents works by Kim Guiline (1936–2021), a pioneer of Korean monochrome painting. He pursued flatness throughout his career; small dots layered dozens of times inside a grid make the surface and colour change in depth with the light. No reservation is needed and entry is free.
- Dates
- Jul 27 – Nov 9, 2026
- Venue
- D MUSEUM (디뮤지엄) · Seongdong
- Address
- 서울특별시 성동구 왕십리로 83-21Open in Naver MapOpen in Google Maps
Visit planning
The calendar entry covers the whole run of the exhibition. Please check opening hours and closing days before your visit.
Nearby, after this one
Same district · Seongdong
Shows open on the same days as this one are listed first (regular closing days only).
Credits
- Artists
- 金麒麟
- Organized by
- Daelim Cultural Foundation
Knowledge cards
Dansaekhwa단색화Abstract painting that emerged in Korea from the 1970s, marked by a single tone and repeated making.Read moreClose
01About
These paintings depict no particular subject; what matters is how they are made. One action is repeated, and the traces it leaves become the work. Park Seo-bo's Écriture began with pencil lines drawn again and again into wet paint, and from the 1980s pushed ridges into damp hanji; Yun Hyong-keun let thinned paint seep slowly into linen and called it “Heaven and Earth.” The name Dansaekhwa was only proposed in 2000, as a way to group these works together.
02In the gallery
Look closely at the surface first, then step back and take in the whole field of color.
Wall label terms in Korean
03Notes
Dansaekhwa depicts no objects; what it shows is the trace of a gesture made again and again.
This time, at PUBLIC ART SPACE: Guiline Kim —
Up close, what traces of repetition can you see?
04Related
Public art공공미술Art in the public realm: works placed in parks and other places open to everyone, whether the site is public or private property and whether public or private money paid for it.Read moreClose
01About
Public art is usually, though not always, commissioned for the site where it stands. Monuments, memorials, civic statues and sculptures are its most established forms, but it can also be temporary: performances, graffiti, posters and installations. A work designed for one particular location and bound up with it is called site-specific; moved elsewhere, it loses all or much of its meaning. The term "public art" is generally said to have been first used by John Willett, in Britain, in Art in a City (1967). Unlike traditional public art centred on objects, later works treat a place as a space of social, cultural and political exchange, inviting local communities and viewers to take part, or lasting only for a time before being taken down. In Seoul, more than 200 sculptures from around the world were permanently installed in Olympic Park for the 1988 Olympics; the introduction to SOMA Museum of Art's exhibition From Monument to Landscape calls this an important turning point in the development of contemporary public art in Korea. The city has also placed public art in Seonyudo Park, a former water purification plant turned into an ecological park.
02In the gallery
Step back and see how the work sits with the buildings, paths and trees around it; then watch the people passing: does anyone stop, or do they walk by as if it were part of the scenery?
Wall label terms in Korean
- 공공미술
- Public art
- 장소 특정적 미술
- Site-specific art
- 기념비
- Monument
03Notes
Public art is usually made for its site, so it is looked at together with its surroundings.
This time, at PUBLIC ART SPACE: Guiline Kim —
Standing here, how do you think the work relates to what is around it?

