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140th Anniversary of Korea-France Diplomatic Relations [From Monument to Landscape]

Korean original:

한불수교 140주년 [기념에서 풍경으로 From Monument to Landscape]

Marking 140 years of Korea-France diplomatic relations, the show looks back at the 1988 Seoul Olympics, planned as a 'culture Olympics', and at the Olympic Sculpture Park built for it, including the art exchange between the two countries at the time. About 100 pieces span drawings, paintings, three-dimensional works, video, photography and archives, among them preservation records shown publicly for the first time. Artists include Kim Chung-up, Moon Shin and César Baldaccini.

1 / 3 Image: SOMA (Seoul Olympic Museum of Art) 엄지손가락 The Thumb, 세자르 발다치니(Cesar), 1988, 청동(Bronze)

Dates
Oct 17, 2026 – Feb 14, 2027
Address
서울특별시 송파구 올림픽로 424 소마미술관 1관Inside Olympic Park; nearest stations Mongchontoseong (Line 8) and Hanseongbaekje (Line 9)Open in Naver MapOpen in Google Maps
Hours
Tue–Sun 10:00–18:00Original: 화-일요일 10:00~18:00Closed: Mon
Admission
₩3,000–5,000Original: 3,000~5,000원

Visit planning

The calendar entry covers the whole run of the exhibition. Please check opening hours and closing days before your visit.

Nearby, after this one

Credits

Artists
Kim Chung-upMoon Shin박미나백금남최정화Bertrand LavierCésar BaldacciniÉtienne MartinJean Messagier
Organized by
Korea Sports Promotion Foundation, SOMA (Seoul Olympic Museum of Art)

Knowledge cards

Public art공공미술Art in the public realm: works placed in parks and other places open to everyone, whether the site is public or private property and whether public or private money paid for it.Read more

01About

Public art is usually, though not always, commissioned for the site where it stands. Monuments, memorials, civic statues and sculptures are its most established forms, but it can also be temporary: performances, graffiti, posters and installations. A work designed for one particular location and bound up with it is called site-specific; moved elsewhere, it loses all or much of its meaning. The term "public art" is generally said to have been first used by John Willett, in Britain, in Art in a City (1967). Unlike traditional public art centred on objects, later works treat a place as a space of social, cultural and political exchange, inviting local communities and viewers to take part, or lasting only for a time before being taken down. In Seoul, more than 200 sculptures from around the world were permanently installed in Olympic Park for the 1988 Olympics; the introduction to SOMA Museum of Art's exhibition From Monument to Landscape calls this an important turning point in the development of contemporary public art in Korea. The city has also placed public art in Seonyudo Park, a former water purification plant turned into an ecological park.

02In the gallery

Step back and see how the work sits with the buildings, paths and trees around it; then watch the people passing: does anyone stop, or do they walk by as if it were part of the scenery?

Wall label terms in Korean

공공미술
Public art
장소 특정적 미술
Site-specific art
기념비
Monument

03Notes

Public art is usually made for its site, so it is looked at together with its surroundings.

This time, at 140th Anniversary of Korea-France Diplomatic Relations [From Monument to Landscape] —

Standing here, how do you think the work relates to what is around it?

04Related

Modern Sculpture현대 조각Sculpture's move from statues on pedestals commemorating people and events toward three-dimensional work concerned with material, weight, and the space around it.Read more

01About

Modern sculpture is generally said to begin with Rodin. After him, Brâncuși distilled his subjects to their essential shapes, Picasso combined different objects and materials into one sculpture, Duchamp's Fountain (1917) presented a ready-made object as the work, and welded steel sculpture followed in the 1960s. Sculpture's concern moved from likeness and whom it honours to material, weight, balance, and the work's relation to the space around it and to the viewer's body. The sculpture park in Seoul's Olympic Park holds works by foreign artists invited to the cultural festival of the 1988 Seoul Olympics; they stand among lawns and paths and have become part of the landscape.

02In the gallery

Walk all the way around the work and notice the weight of its material, and how it stands, hangs, or leans.

Wall label terms in Korean

조각
Sculpture
좌대
Pedestal
기념비
Monument
레디메이드
Readymade
용접
Welding

03Notes

Modern sculpture moved its attention from likeness to material, weight, and the space around it.

This time, at 140th Anniversary of Korea-France Diplomatic Relations [From Monument to Landscape] —

Does the work stand on a pedestal, or straight on the floor? What difference does it make?

04Related