Modern Korean Western-style Painting

In 1909 Ko Hui-dong entered the Tokyo School of Fine Arts to study Western painting, and returned home on graduating in 1915; he is regarded as Korea's first Western-style painter, though he later went back to ink painting. From 1922 to 1944 the Government-General held the Joseon Art Exhibition every year, with a section for Western painting, and many new painters made their debut there. Most painters of this generation trained in Tokyo: Yoo Youngkuk entered the oil painting course at Bunka Gakuin in 1935, met avant-garde art such as Cubism and Constructivism there, and later turned the mountain into the subject of his abstraction. Others drew on their own traditions: Lee Dai-won carried the methods of embroidery, mother-of-pearl lacquer, and ink brushwork into oil painting. After the Korean War, many painters saw Paris as “the capital of modern art” and moved to France.

Check the year and where the painter trained on the label, then see whether the oil paint is laid flat, built up, or set down stroke by stroke like a brush in ink.

In this oil painting, what seems learned from the West, and what comes from the painter's own tradition?