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10th Anniversary Exhibition: The Best of the Sumida Hokusai Museum—Scenes from Both Banks of the Sumida River Scroll and Other Masterpieces—

Japanese original:

開館10周年記念 ベスト オブ すみだ北斎美術館―隅田川両岸景色図巻と名品―

A special exhibition for the museum's 10th anniversary, drawn from its own collection: brush paintings, colour woodblock prints, privately issued surimono and printed books by Hokusai and his pupils. Among them is the roughly 7-metre handscroll The Scenery on Both Banks of the Sumida River, which returns to Hokusai's home district for the first time in about 100 years, along with works never shown before and new acquisitions. Each curator adds a one-line comment on a favourite piece. Works are partly changed between the two halves, and the galleries are closed on 20 October for the changeover.

1 / 4 Image: The Sumida Hokusai Museum 展覧会チラシ

Dates
Sep 15 – Nov 23, 2026
Address
東京都墨田区亀沢2-7-2About 5 min on foot from Exit A3 of Ryogoku Station (Toei Oedo Line); about 9 min from the East Exit of Ryogoku Station (JR Sobu Line); about 5 min from the Toei Bus stop Toei-Ryogoku-eki-mae. The museum has no car park.Open in Google Maps
Hours
09:30–17:30Closed: Mon
Admission
General ¥1,500Original: 一般 1,500円

Visit planning

The calendar entry covers the whole run of the exhibition. Please check opening hours and closing days before your visit.

Nearby, after this one

Credits

Artists
Katsushika Hokusai, Totoya Hokkei, Teisai Hokuba, Katsushika Hokusai II, Hotei Gosei
Organized by
Sumida City, The Sumida Hokusai Museum

Knowledge cards

Woodblock prints木版画A print made from a carved block of wood: what is cut away stays blank, and only the raised surface takes the ink and prints.Read more

01About

A woodblock print is a relief print: the image is cut into a block of wood, the parts meant to print are left level with the surface, and the rest is removed. The cut-away areas carry no ink. The raised surface is inked, and the paper laid on it is pressed or rubbed, often with a hand tool called a baren. Traditional Japanese prints are cut on cherry wood and printed with water-based inks, where Western woodcut typically uses oil-based ones. Early Japanese prints were mostly monochrome, in black ink only. Colour came by cutting one block for each colour and lining the blocks up with registration marks called kentō, as in ukiyo-e prints. From the late Meiji period, artists who carved and printed their own blocks began to make what are called creative prints.

02In the gallery

Look closely at where black meets white and find the lines the knife left. Then step back and see how the black areas and the blank paper build the whole picture.

Wall label terms in Japanese

凸版
Relief printing
馬連(ばれん)
Baren
見当
Registration mark
創作版画
Creative prints

03Notes

A woodblock print is read through what the knife left behind: cut-away places stay white, raised places carry the ink.

This time, at The Best of the Sumida Hokusai Museum—Scenes from Both Banks of the Sumida River Scroll and Other Masterpieces— —

Is the thin line you are looking at a white line the knife cut, or a black line left standing?

04Related

Ukiyo-e浮世絵Pictures of the life of the day, popular in Japan from the 17th to the 19th century; most are woodblock prints.Read more

01About

“Ukiyo” means the floating world, the world of the present. Subjects include beautiful women, kabuki actors, sumo wrestlers, scenes from history, and famous places; around the 1830s Katsushika Hokusai and Utagawa Hiroshige made landscape a genre of its own. A few are paintings by the artist's own hand, but most are prints, made by four people in turn: the publisher paid, the designer drew, the carver cut the blocks, and the printer printed. Early prints used black ink alone; around 1765, exchanging calendar prints in many colors became a fashion, publishers then sold such prints as nishiki-e, “brocade pictures,” and full-color printing spread.

02In the gallery

In front of a print, find an edge where two colors meet. Each color has its own block; the printer lines the paper up with the registration marks cut into the block and prints from light colors to dark, one over another.

Wall label terms in Japanese

浮世絵
Ukiyo-e
錦絵
Nishiki-e (full-color print)
肉筆画
Painting (by the artist's hand)
見当
Registration mark

03Notes

Ukiyo-e landscapes often tell the season with mist, rain, snow, and moonlight.

This time, at The Best of the Sumida Hokusai Museum—Scenes from Both Banks of the Sumida River Scroll and Other Masterpieces— —

Where in the picture do you feel the season, or the hour?

04Related